My Deanna Durbin Punishment, Part V: Lady On A Train (1945) – Recommended

The two major problems with this film can be seen in the screenshot above and below. The first is that Deanna Durbin was attacked by peroxide and thus is a bottle blonde throughout the film. The second is that particular outfit.

Wearing That Outfit Is Cruel and Unusual Punishment

It’s horrendous and tacky. Thankfully, those are really the only two problems with this film.

Deanna Sees A Murder From The Train

It begins with Deanna riding the train as it comes to a stop. She is reading “The Case Of The Headless Bride” when outside her window she witnesses a man being beaten to death with a crowbar. What follows is what happens when Deanna Durbin gets bitten by the Nancy Drew bug. It’s also what happens when filmmakers make something that pokes fun at the cinema of the 1940s and lets Deanna run with it.

Officer, What Do You Mean I Have Murder On The Brain?

She reports the murder but no one takes her seriously so she starts to investigate on her own. Then she has a great scene which was obviously meant to poke fun at Citizen Kane. After Deanna arrives at her stop and reports the murder to a clueless cop, she seeks help from the author of the murder mystery she was reading. She follows him to a theater where a newsreel starts and we meet the dead man looking very Kane-like.

Not Charles Foster Kane

Deanna then proceeds to the dead man’s home where the opening shot is outside the fence looking towards a house, far in the distance.

Not The Home Of Charles Foster Kane

Then instead of moving closer and closer to the house, we join Deanna on a fence facing down a prop deer that probably went on to a career in Douglas Sirk movies.

Deer vs. Durbin

Deanna is a hoot throughout the film but especially inside the house when she has one of her finest scenes while playing a chair.

That's No Chair...

It's Deanna Durbin!

After that, the exact details of the plot aren’t important. She gets the author, exposes the murderer, and manages to work in a few vocal numbers without ruining the film and her fine comedic performance. In fact, the first number initially seems ridiculous until it stops. Deanna is singing a lovely number over the phone to her family not realizing that there is a bad guy in the room. After she finishes, he has a couple of tears on his face, begins to leave, and then realizes what an idiot he is being. He turns around, gets what he came for, goes out into the hall, and beats Durbin’s mystery writer unconsciousness. We go into the number thinking it is sentimental slop and that it’s going to ruin everything. Instead, it’s all a setup for a funny sequence that plays for laughs, without sentiment.

The film makes many references to film noir both in it’s plot and appearance. Durbin’s performance is almost self-referential without ever breaking the fourth wall. She even channels a bit of Stanwyck’s Lady Eve in that she’ll charm you right over a cliff with her body and personality.

Looks So Good, Bring A Tear To Your Eye, Sweet Durbin Pie

Edward Everett Horton and David Bruce deliver superb supporting performances as her caretaker and murder mystery author, respectively. The film is the Durbin picture I have been waiting for since I saw Three Smart Girls (1936). It allows Durbin’s natural comedic talent to reign supreme without feeling it’s necessary to graft songs onto the film at any cost. Deanna is like Ginger Rogers. Ginger was an amazing dancer, but she doesn’t need to dance to deliver a quality performance. The same is true of Deanna, she is an amazing singer, but she doesn’t need to sing. But rather than giving us a sans singing Deanna, they actually make the singing work for the movie. It’s there for a reason. Even when that reason is to poke fun at the exogenous numbers that populated musicals of the period. I loved it and I recommend it!

My Deanna Durbin Punishment, Part IV: Can’t Help Singing (1944) – Not Recommended

Since Deanna Durbin isn’t dead yet, I know she can’t spin in her grave. However, I am sure that after she passes away, she will spin every time someone watches this phenomenally awful film. She chases a man during the Gold Rush, sings along the way, falls for another man, and into some mud. I won’t dignify the film with further summary.

Deanna Durbin Dunking Her New Love

Deanna Durbin is a good singer and more importantly, a fine comedic actress. This movie surrounds her with second rate actors and a piss poor script. The only thing memorable is the scene pictured above of her shoving a man’s head into a river with her foot. There is one sequence that seems to foreshadow The Sound Of Music (1965) with Deanna in the hills singing. In reality, it only serves to remind us of why that movie was so wonderful. Before musicals like that one, they had no idea what they were doing as evidenced by this cow dung captured on celluloid.

This was the first Deanna Durbin film that I can say was truly a punishment to watch. Do I have to say that I don’t recommend it? Remember, she may not be dead, but I am sure that a little part of Deanna Durbin aches anytime this film is watched. Be a good person and don’t hurt her.

My Deanna Durbin Punishment, Part III: It Started With Eve (1941) – Approach With Caution

After having watched Three Smart Girls (1936) and First Love (1939), I was hoping this film would get the right mix of Deanna’s acting with singing that was integrated into the storyline. It has a fair amount of her comedic acting and the singing is integrated into the movie. The problem is that film is extremely formulaic. You only feel an attachment to Deanna because she is that charming as an actress. It didn’t hurt that I came into this film having seen two prior films.

Not Dead Yet!

It begins with a local paper hoping that Jonathan Reynolds (Charles Laughton) will die in time for the story to go out in the next edition. Then we go into the home and bedside of the dying Reynolds where he makes a final request of his son. He wants to see his son’s fiancee before he dies. Unfortunately, the son can’t get in touch with her. Since this is a movie, that means that any girl will do because Reynolds is going to die anyways. In this case, it means that a singing girl who works at a hotel will stand in for the fiancee.

Deanna, Will You Be My Fiancee For The Night?

It also means that the plan works. Reynolds meets Deanna and is happy to see his son with such a sweet and beautiful woman. Of course, it also means that he doesn’t die immediately and starts to get well. Yep, this is a mistaken identity romantic comedy. It follows the predictable path of the father attaching himself to Deanna and eventually convincing the son that he has picked a winner. The funniest bit of the movie is the train porter.

The Porter

Deanna tries to leave town several times only to be stopped by Reynold’s son just as the train begins to move. Instead of the porter being a yessir and trying to be as helpful as possible, he greets them with a, “I can toss you your luggage but don’t expect me to step off the train once it’s moving,” look. It’s funny because he doesn’t take any crap and leaves Deanna and the son running to catch luggage as he chucks it at them.

Aside from that funny moment, it’s all paint by numbers filmmaking. Nothing particularly bad but not really worth your time. Approach it with caution.

My Deanna Durbin Punishment, Part II: First Love (1939) – Worth A Look

Now that the anniversary is over and the blackout is lifted, my punishment must continue. The next film I have chronologically is First Love (1939). That means it is time for Deannarella. That’s right, it’s Deanna Durbin in a Cinderella tale. The plot is that simple.

Deanna Graduates

It begins with Deanna graduating from a boarding school to go live with her family that includes her stuck-up cousin Barbara (Helen Parrish). And by stuck-up, I mean that she is who N.W.A. is singing about in their song A Bitch Is A Bitch.

Evil Barbara

In the boarding school she was accepted and appreciated for her singing talents but upon arrival at her new home, she is greeted by a butler who looks down on her. He assumes she is one of those no good singers, rather than a noble opera singer. This is where the film shines. In Three Smart Girls Deanna was funny and perky, but her singing seemed grafted onto what was an otherwise enjoyable family comedy. Here the singing is integrated into the story. When she meets this butler and realizes what kind of singing he values, she bursts into opera. She shows him a thing or two and wins an ally in an otherwise hostile household. A household where even Deanna is her own worst enemy.

That's Showing Him Deanna!

Deanna's Own Worst Enemy

From here we go through a few scenes to drive home the decadence of the family and just how evil Barbara is to Deanna and everyone else. It’s all to get the pieces in place for the Cinderella ball plot. By that point, Deanna has not only become the darling of the butler, but is beloved by the entire household staff. When Deanna gets invited by chance to the ball and thinks modifying her graduation gown will suffice, the staff comes to her rescue with a proper dress. They come to the rescue again, when at the last minute, the family tells her she needs to stay home. And by the last minute, I mean they are walking out the door, realize something, and suddenly tell her she has to stay. The staff helps to ensure she will go to the ball!

Stunned and Heartbroken

The rest is Cinderella. Deanna goes to the ball, leaves a slipper, and winds up with prince charming. Anymore details and you would have the entire film. It’s really that simple.

I am hoping that the next Deanna Durbin film combines the writing of Three Smart Girls (1936) with the singing of this film. If they pull that off, then they will have something that is more than just worth a look.

All Films Considered For My Best, Worst, Gems Lists

If anyone is at all curious, here are all the films I considered for my 25 best, worst, and gems lists.

Best:

  1. Murder By Contract (1958)
  2. Kings Of The Road (1976)
  3. Aliens (1986)
  4. Providence (1977)
  5. Triumph Of The Will (1935)
  6. Kind Hearts And Coronets (1949)
  7. Brazil (1985)
  8. Alice In The Cities (1974)
  9. Shoah (1985)
  10. The Wrestler (2008)
  11. Dead Ringers (1988)
  12. Evil Dead II (1987)
  13. Distant Voices, Still Lives (1988)
  14. Day For Night (1973)
  15. Make Way For Tomorrow (1937)
  16. Amadeus (1984)
  17. Farewell, My Concubine (1993)
  18. Antonio Das Mortes (1969)
  19. Raise The Red Lantern (1991)
  20. Midnight Run (1988)
  21. I Am Cuba (1964)
  22. The Round-up (1966)
  23. The Up Series
  24. Underground (1995)
  25. Up (2009)
  26. The films of Jiang Kia-Je: Unknown Pleasures (2002), Platform (2000), Xiao Wu (1997), Still Life (2006), The World (2004), 24 City (2008)
  27. The Hurt Locker (2008)
  28. Spring, Summer, Fall, Winter…And Spring (2003)
  29. The Sorrow And The Pity (1969)
  30. Als Twee Druppels Water (1963)
  31. The Long Day Closes (1992)
  32. White Dog (1982)
  33. The Red And The White (1967)
  34. Il Sorpasso (1962)
  35. We All Loved Each Other So Much (1974)
  36. The Birds, The Bees, And The Italians (1966)
  37. Street Of Shame (1956)
  38. Harakiri (1962)
  39. O Lucky Man! (1973)
  40. A Bullet For The General (1966)
  41. A Brief Vacation (1973)
  42. High School (1968)
  43. War And Peace (1967)
  44. Querelle (1982)
  45. The Tree Of Life (2011)
  46. Kanal (1957)
  47. The Window (1949)
  48. Where Is The Friend’s Home? (1987)
  49. Come and See (1985)
  50. The Outlaw Josey Wales (1976)
  51. The Double Life Of Veronique (1991)
  52. Charade (1963)
  53. Women On The Verge Of A Nervous Breakdown (1988)
  54. Midnight (1939)
  55. Carnival In Flanders (1935)
  56. The Steel Helmet (1951)
  57. Come Drink With Me (1966)
  58. Japanese Girls At The Harbor (1933)
  59. Of Time And The City (2008)
  60. The Ceremony (1971)
  61. Within Our Gates (1920)
  62. A Geisha (1953)
  63. Shock Corridor (1963)
  64. To Live (1994)
  65. Grey Gardens (1975)
  66. Sugar Cane Alley (1983)
  67. Orlando (1992)
  68. Tokyo Drifter (1966)
  69. The Loneliness Of The Long Distance Runner (1962)
  70. Stolen Kisses (1968)
  71. Children Of Heaven (1997)
  72. Subarnarekha (1965)
  73. The Fire Within (1963)
  74. Lord Of The Flies (1963)
  75. Touki Bouki (1973)
  76. Pixote (1981)
  77. Hamlet (1948)
  78. Missing (1982)
  79. The Ladykillers (1955)
  80. Gunga Din (1939)
  81. Carlos (2010)
  82. Hindle Wakes (1927)
  83. Obsession (1976)
  84. Suspense (1913)
  85. The Terrorist (1998)
  86. Super 8 (2011)
  87. The Band’s Visit (2007)
  88. The Two Of Us (1967)
  89. Zorn’s Lemma (1970)
  90. A Short Film About Love (1988)

Worst:

  1. L’Argent (1983)
  2. India Song (1975)
  3. Historie(s) Du Cinema (1988)
  4. Lost Highway (1997)
  5. What The Bleep Do We Know? (2004)
  6. The Hangover (2009)
  7. Not One Less (1999)
  8. Syndromes And A Century (2006)
  9. Run Lola Run (1998)
  10. I Love Dollars (1986)
  11. De Tweeling (2002)
  12. Showgirls (1995)
  13. The Heiress (1949)
  14. Red Angel (1966)
  15. Hitler: A Film From Germany (1977)
  16. New York, New York (1977)
  17. Thor (2011)
  18. Green Lantern (2011)
  19. Chelsea Girls (1966)
  20. The Woman In The Window (1944)
  21. City For Conquest (1940)
  22. Pitfall (1962)
  23. Europa (1991)
  24. Story Of A Love Affair (1950)
  25. Iron Man 2 (2010)
  26. Dancer In The Dark (2000)
  27. Otley (1968)
  28. Stop, You’re Killing Me (1952)
  29. The Lost Honor Of Katharina Blum (1975)
  30. Nowhere In Africa (2001)
  31. Happy Feet (2006)
  32. Love On A Pillow (1962)
  33. Two Weeks In September (1967)
  34. Girls Just Want To Have Fun (1985)

Gems:

  1. The Watcher In The Attic (1976)
  2. All My Life (1966)
  3. Two Solutions For One Problem (1975)
  4. Island (1973)
  5. La Region Centrale (1971)
  6. There’s Always Tomorrow (1956)
  7. The Devil Is A Woman (1935)
  8. The first two Trinty films
  9. Cyclo (1995)
  10. That’s The Way I Like It (1998)
  11. Wife To Be Sacrificed (1974)
  12. The Working Class Goes To Heaven (1974)
  13. Manila: In The Claws Of Neon (1975)
  14. Jesus Christ Vampire Hunter (2001)
  15. Soldier Of Orange (1977)
  16. Turkish Fruit (1973)
  17. The Fourth Man (1983)
  18. Tinimbang Ka Ngunit Kulang (1974)
  19. Perfumed Nightmare (1977)
  20. Seconds (1966)
  21. Max Havelaar (1976)
  22. De Aanslag (1986)
  23. Charleston Parade (1927)
  24. A Colt Is My Passport (1967)
  25. White Sun Of The Desert (1970)
  26. 17th Parallel: Vietnam In War (1968)
  27. Death By Hanging (1943)
  28. The Night Of Counting The Years (1969)
  29. The Emperor’s Naked Army Marches On (1987)
  30. The Phenix City Story (1955)
  31. Santa Sangre (1989)
  32. Dial 1119 (1950)
  33. Different From The Others (1919)
  34. The Oyster Princess (1919)
  35. The Wildcat (1921)
  36. Lemonade Joe (1964)
  37. Who Wants To Kill Jessie? (1966)
  38. Yankee Doodle In Berlin (1919)
  39. The three Czarist Russian films: Twilight of a Woman’s Soul, After Death, and The Dying Swan
  40. Tear Gas In Law Enforcement (1962)
  41. The Black Book (1949)
  42. Bloody Birthday (1981)
  43. Two-Gun Man From Harlem (1938)
  44. Symbiopsychotaxiplasm: Take One (1968)
  45. Rocker (1972)
  46. A Virgin In Hollywood (1953)
  47. Star Without Light (1946)
  48. Live Like A Cop, Die Like A Man (1976)
  49. What Scoundrels Men Are! (1932)
  50. Altered States (1980)
  51. Joe MacBeth (1955)
  52. The Naked Spur (1953)
  53. Border Incident (1949)
  54. Three Times (2005)
  55. Daises (1966)
  56. La Chambre (1972)
  57. Hotel Monterey (1972)
  58. Blonde In Black Leather (1975)
  59. Sisters Of The Gion (1936)
  60. Fighting Elegy (1966)
  61. Gate Of Flesh (1964)
  62. Chushingura (1962)
  63. Youth Of The Beast (1963)
  64. The Green Ray (1986)
  65. The Case Of The Bloody Iris (1972)
  66. Antoine And Colette (1962)
  67. Zouzou (1934)
  68. The Chess Players (1977)
  69. Spies (1928)
  70. A Very Special Favor (1965)
  71. Plácido (1961)
  72. The Last Wave (1977)
  73. The Friends Of Eddie Coyle (1973)
  74. Suds (1920)
  75. The Ace Of Hearts (1921)
  76. Laugh, Clown, Laugh (1928)
  77. The Man Who Laughs (1928)
  78. The Criminal Life Of Archibaldo De La Cruz (1955)
  79. Repo Man (1984)
  80. Laila (1929)
  81. Summer Of ’63 (1972)
  82. Taxi Driver (1954)
  83. Lion Of The Desert (1981)
  84. The Exiles (1961)
  85. Body And Soul (1925)
  86. Native Land (1942)
  87. Man Of The East (1972)
  88. Doc West (2009)
  89. Under The Bridges (1946)

Third Anniversary Post, Part III: The Words Of Wisdom

  1. Remember that people think of the 1980’s when you say a movie is old. That means about 30 years ago. By the time movies really got into sound in 1930, they had already been around for 40 years. My point is that the term “old” shouldn’t be used when describing a film. It’s confusing and unnecessary.
  2. The Jazz Singer was not the first sound film despite what classroom textbooks say.
  3. Never read the book before the movie. It only ruins the film for you. Not because the book is better because sometimes it’s worse, but because books encourage you to form your own incarnation of the material. That means you will likely reject or at least have difficulty accepting the film, which is somebody else’s vision shared with you.
  4. If you want to see a movie, never watch the trailers or read the full reviews. Pick trusted sources and if they say it’s worth your time, see it. Anything else starts your imagination and leads you toward issues with the film.
  5. I watched Debbie Does Dallas on February 10th, 2010. Why do they think that heterosexual men want to see so much penis? People always seem to wonder why heterosexual men like woman on woman action of any sorts. It’s because they are both what we are attracted to and they are having sex. That means the whole thing is arousing instead of having a naked man and his shlong around to leave us limp.  I would rather imagine myself with two women than to see another man with one woman. Maybe it’s just me.
  6. Keep track of the films you watch and when you watch them. The information is invaluable for many reasons including the ability to visualize where the holes in your cinematic knowledge are located. If you can make a note of your thoughts about them, then that’s even better.
  7. If you are going to blog about film, do what you can to engage with other bloggers rather than trying to be nothing more than a broadcaster. There is only so much you can do, but the relationships you forge make the process very rewarding.
  8. Always respond to comments. People take being stonewalled very poorly and aren’t forgiving. This applies to receiving @ replies on Twitter as well or any social network you employ.
  9. If you are going to setup a Twitter account, do not start off by following enormous numbers of people to get a certain percentage back before culling the number way below your followers in order to look impressive. Early on I was followed by a beauty queen who was doing this and found a few days later that I was unfollowed and she had rigged her numbers to make herself look good. The point is to engage and form meaningful connections. Remember, you want discussion around your posts, not simply page views.
  10. Another Twitter faux pas is being spammy. This can take the form of tweeting many times about the same post you have written or misusing automated tweets. A good example of the first would be tweeting all the time about your current and past posts. It sounds good until one of your followers tries to use something like Flipboard and cannot quickly and easily find your latest post.
  11. If it is possible, use images from the film in your posts. Film is an audio-visual medium that doesn’t flatten into words accurately. You want people to be able to get an idea of what kind of movie you are writing about.
  12. You can’t claim to love film if you have only seen ones from a particular period or place. That’s a love of a particular period or place. A love for film means you want to see a short from 1910, an experimental film from the 1970s, a Deanna Durbin film from the 1930s, and a movie that was just released. It means you spend time trying to find films from Cambodia because you haven’t seen one from there yet. It means the whole of cinema is your playground.
  13. Know when to stop writing and say: If anyone else has any advice to add or disagrees with my “words of wisdom”, please comment.

Third Anniversary Post, Part II: The Lists

In my three years of blogging I have seen a lot of films. Some I wrote about and others I didn’t. I have culled from the 1,449 films I saw during that period and created three top 25 lists. The first is the 25 best films, the second is the 25 worst films, and the third is the 25 gems. The last are films that for one reason or another stand out without meriting a position on the best list.

For the sake of consistency, I have not tried to mark this up with images, YouTube videos, and my own commentary. If you have any questions whatsoever, leave a comment or talk to me on Twitter.

There will be one more post in this series with some parting words. After that, I will resume normal posting with the next film in my Deanna Durbin series.

The Best:

  1. Shoah (1985)
  2. War And Peace (1967)
  3. Brazil (1985)
  4. The Long Day Closes (1992)
  5. White Dog (1982)
  6. High School (1968)
  7. Kings Of The Road (1976)
  8. The Up Series
  9. Harakiri (1962)
  10. Make Way For Tomorrow (1937)
  11. Il Sorpasso (1962)
  12. Stolen Kisses (1968)
  13. Pixote (1981)
  14. The Birds, The Bees, And The Italians (1966)
  15. Kanal (1957)
  16. Where Is The Friend’s Home? (1987)
  17. Querelle (1982)
  18. The Tree Of Life (2011)
  19. The Ceremony (1971)
  20. The Terrorist (1998)
  21. A Geisha (1953)
  22. Shock Corridor (1963)
  23. To Live (1994)
  24. Touki Bouki (1973)
  25. A Bullet For The General (1966)

The Worst:

  1. What The Bleep Do We Know? (2004)
  2. The Hangover (2009)
  3. Red Angel (1966)
  4. De Tweeling (2002)
  5. Not One Less (1999)
  6. I Love Dollars (1986)
  7. Chelsea Girls (1966)
  8. Hitler: A Film From Germany (1977)
  9. India Song (1975)
  10. The Heiress (1949)
  11. Lost Highway (1997)
  12. Showgirls (1995)
  13. Green Lantern (2011)
  14. New York, New York (1977)
  15. Run Lola Run (1998)
  16. The Woman In The Window (1944)
  17. Europa (1991)
  18. The Lost Honor Of Katharina Blum (1975)
  19. Story Of A Love Affair (1950)
  20. Stop, You’re Killing Me (1952)
  21. Nowhere In Africa (2001)
  22. Love On A Pillow (1962)
  23. Happy Feet (2006)
  24. Girls Just Want To Have Fun (1985)
  25. Live Like A Cop, Die Like A Man (1976)

The Gems:

  1. Lemonade Joe (1964)
  2. All My Life (1966)
  3. Two Solutions For One Problem (1975)
  4. The Night Of Counting The Years (1969)
  5. Wife To Be Sacrificed (1974)
  6. Als Twee Druppels Water (1963)
  7. La Region Centrale (1971)
  8. Manila: In The Claws Of Neon (1975)
  9. Seconds (1966)
  10. Blonde In Black Leather (1975)
  11. A Colt Is My Passport (1967)
  12. White Sun Of The Desert (1970)
  13. Dial 1119 (1950)
  14. The Oyster Princess (1919)
  15. Bloody Birthday (1981)
  16. The Black Book (1949)
  17. Two-Gun Man From Harlem (1938)
  18. What Scoundrels Men Are! (1932)
  19. That’s The Way I Like It (1998)
  20. The Band’s Visit (2007)
  21. Suds (1920)
  22. The Exiles (1961)
  23. 17th Parallel: Vietnam In War (1968)
  24. Jesus Christ Vampire Hunter (2001)
  25. The Watcher In The Attic (1976)

TSPDT 1000 Greatest Films Updated: January 2012

So I have been through the updated version of the list and I now have 63 films left to watch. Unfortunately, Stan Brakhage’s The Art Of Vision is still on the list! At this rate, I am going to have to start raising money to send me to New York to see the print at MOMA. The films left to watch are as follows:

  1. Withnail & I (1987)
  2. Audition (1999)
  3. Artificial Intelligence: AI (2001)
  4. Harlan County U.S.A. (1976)
  5. Marketa Lazarová (1967)
  6. Se7en (1995)
  7. The Time Of Harvey Milk (1984)
  8. Out 1, noli me tangere (1971)
  9. Caché (2005)
  10. Sleeper (1973)
  11. Landscape In The Mist (1988)
  12. Y Tu Mamá También (2001)
  13. The Gleaners & I (2000)
  14. Yol (1982)
  15. The War Of The Worlds (1953)
  16. Mother India (1957)
  17. Zabriskie Point (1970)
  18. Funny Games (1997)
  19. L’Enfance Nue (1968)
  20. Russian Ark (2002)
  21. Quince Tree Of The Sun (1992)
  22. The New World (2005)
  23. Pink Flamingos (1972)
  24. Wanda (1970)
  25. Awaara (1951)
  26. Edvard Munch (1974)
  27. The Art Of Vision (1965)
  28. Werckmeister Harmonies (2000)
  29. The Saragossa Manuscript (1965)
  30. The Death Of Mr. Lazarescu (2005)
  31. Star Spangled To Death (2004)
  32. The Killers (1946)
  33. Bellissima (1951)
  34. The Age Of The Earth (1980)
  35. To Sleep With Anger (1990)
  36. I Compagni (1963)
  37. La Commune (Paris, 1871) (2000)
  38. Moana (1926)
  39. Happiness (1934)
  40. The Crucified Lovers (1954)
  41. Purple Noon (1960)
  42. Henry: Portrait Of A Serial Killer (1986)
  43. Second Breath (1966)
  44. L’Amour Fou (1969)
  45. Sonatine (1993)
  46. They Died With Their Boots On (1941)
  47. El Sur (1983)
  48. The Roaring Twenties (1939)
  49. Dracula (1958)
  50. 7th Heaven (1927)
  51. Winchester ’73 (1950)
  52. The Far Country (1954)
  53. Heaven Can Wait (1943)
  54. Female Trouble (1974)
  55. Bend Of The River (1952)
  56. Tropical Malady (2004)
  57. Scarlet Street (1945)
  58. In Praise Of Love (2001)
  59. Louisiana Story (1948)
  60. Cutter’s Way (1981)
  61. The Black Cat (1934)
  62. Strangers When We Meet (1960)
  63. Forty Guns (1957)

Third Anniversary Post, Part I: The History

My love of film probably goes back further than 1997 but anything earlier would be apocryphal. In 1997 the American Film Institute (AFI) announced a list of the 100 Greatest American films (although Lawrence Of Arabia at #5 is actually British). I began making regular trips to the video store and saw most of the films before the passion for film largely went into hibernation. In the early 2000’s I bought my first TiVO and soon replaced it with a one that had a built-in DVD burner. On December 28th, 2003 I began keeping a list of every movie I watched. A few years later, with help from IMDb, I added every film I had seen prior to starting the list.

With my special TiVO I began to put every film that was recommended on Roger Ebert’s TV show into the Wishlist section. This meant that once the film eventually made its way to cable, it was recorded, burned to a DVD, and waited patiently for me to watch it. This is why the year that I have seen the most films from by year of release is 2004 with 100 films. Finding TCM and taking courses on film at Diablo Valley College are the reason there is a steep drop off after that year.

Diablo Valley College Movie Theater/Forum

The passion that AFI had lit in the 1990s was reignited when I saw A Trip To The Moon (1902) on January 19th, 2006 in a class on American Cinema up to 1950. My teacher followed it with The Great Train Robbery (1903) and The Lonedale Operator (1911). Around the same time I discovered Roger Ebert’s Great Movies essays. I didn’t read them. I didn’t need too. If he said they were worth my time then I wanted to see them. While I was getting a lesson in American cinema at school, Ebert was beginning to give me a taste of what foreign cinema had to offer. I would later find out that I had been watching a foreign movie over and over as a child. How was I supposed to know that The Adventures Of Milo And Otis (1986) was actually a Japanese film when the voices had been dubbed into English?

In my remaining semesters at Diablo Valley College I took the second half of American Cinema and World Cinema after 1960. Sometime in there I discovered the website They Shoot Pictures, Don’t They?. I printed out their list of the 1000 Greatest Films and was overwhelmed at how few I had seen. I was also very aware of the difficulties of seeing those movies when I had to rely on the video store. I put the site away in the back of my mind. In the spring of 2007, I signed up for Netflix and was accepted to UC Berkeley as a junior transfer in Electrical Engineering and Computer Science.

Me In My First Dormroom/Mini-Suite

In the spring of 2008 I was looking for something to do with my college roommate because our room had been invaded and wasn’t going to be vacated until they were done. I printed out They Shoot Pictures, Don’t They? 1000 Greatest Films and began checking off what I had seen. It was probably around 400 or less but availability of the material had changed thanks to Netflix. Still, I put the list away in my mind again. For my last two years at Berkeley I had a roommate named Rocky. He was a Chinese national who had been living in America for a while and liked to watch movies but only if they were made in the last 10 years. Despite little issues like that, we got along well. I would even con him into going to a showing of the silent Soviet classic The Man With The Movie Camera (1929).

In October of 2008 I was watching a lot of Blaxploitation, Spaghetti Westerns, and Kung Fu movies. Then for reasons I can’t recall, I pulled that list out again and decided that now was the time. Among other films, I watched Michael Snow’s Wavelength (1967), Jacques Rivette’s Celine and Julie Go Boating (1974), and Glauber Rocha’s Black God, White Devil (1964). It was during this time that I found two blogs from people who had taken the same task upon themselves as I had: Kevin B. Lee of Shooting Down Pictures and Andrew of Shooting Lessons: 1000 Pictures. Probably because it was December 31st, I decided to make my New Year’s resolution to blog my way through the list like Kevin and Andrew. To choose the name I took a page from them and decided that “Shooting” had to be in the title. I love film noir and the genre tends towards declarative titles such as He Walked By Night (1948) or I Walked With A Zombie (1943). Therefore, my blog was entitled I Shoot The Pictures with its first post on December 31st, 2008 on Murder By Contract (1958). I began the blog having seen 534 films on the list.

I started watching and posting like crazy. Sometimes I would write something, but often it would only be a screenshot and my verdict. I was on a mission and it was for me. During that period Andrew became a regular commentator on my blog and was joined by Kyle at Enter The Movies. On April 12th, 2009 I was contacted by Iain Scott of 1000 Nights In The Dark (then The One-Line Review) who wanted to include me in a film poll. I would do another poll with Iain later on and the two would be incorporated into the very list I was working on. The end of the semester brought a bit of a hiatus for I Shoot The Pictures. It really didn’t get going again until the Winter of 2009-2010 when I started a series of posts on an East Asian Cinema Binge that I was in the middle of.

While complaining about the end of a Filipino film on IMDb, I met a Filipino on the message boards who was willing to share what he knew. This meant two things for me: 1. I was able to discover the largely overlooked gem that is Filipino cinema and 2. I was now able to find films that had eluded me before. I posted sporadically for my final semester at UC Berkeley before I turned my attention back to the blog. At this time I had seen about 840 of the 1000 films on the list.

This time around I went all out. I redesigned the blog and began to reach out to others beyond my very tight circle. I found a new blogger named Rachel at Endless Reading (then Reading Rachel) who was working through a comparable list for Literature. She became a regular commentator and a comment I left on her blog caught the attention of the sweetest blogger I know. That blogger is Patrick Tillet who made his first of many comments on my blog. After that I met Warren Zoell of The Great Canadian Model Builder’s Web Page who makes wonderful models. I met Minoccio, a Russian lawyer who helped me to translate some Russian intertitles. I met Kalli of Spectacular Cinema: From the Classics and Into the Beyond. I met David Blakeslee of Criterion Reflections. Joem18b of Does writing excuse watching?, Chris of Moviesandsongs365, and Andrew A.K.A Movieman of 1001 Movies I (Apparently) MUST See Before I Die.

Later that summer and into the fall, I joined both LAMB and the CMBA. CMBA brought several people into my life including Patricia of The Lady Eve’s REEL LIFE, Jessica of Comet Over Hollywood, and Page of My Love Of Old Hollywood. I blogged like a madman till shortly after January 2011. That’s when I lopped off my ponytail and took another hiatus. I still wrote from time to time, but spent most of the time volunteering at my city’s historical society and wardriving.

I Donated It To Locks Of Love

Where I Went Wardriving

I actually became afraid of posting during this period. Somehow no matter what I wrote, it wasn’t going to be good enough to post. But come Fall, I found that I needed to understand WordPress to do some work. I bought myself a proper domain name and transferred my blog away from Blogger to WordPress. Being a techie I joined Google Plus and it was there that I rediscovered posting for my own enjoyment. After all, that is what I started this blog for in the first place. I have been back on track since and hope to make it through the new year without another hiatus.

The majority of the time you can find me here and on Twitter. I have Tumblr blog called Screenshooting Pictures that I use as a bottomless bucket for sharing movie screenshots. I do try to check in on Google Plus and post links to my blog posts, but I don’t do much there yet. I use ICheckMovies to keep a public listing of the films I have seen. When I check a film there, it isn’t a check-in, but a check-out. With that in mind, I am toying with GetGlue as a check-in service for film.

I intend to follow up this post with at least one more post. I will be putting together 3 lists of the 10 best, worst, and gems from the films I have seen since I started this blog. They will not be confined to ones I have written posts on. I will also put up some summary “words of wisdom”. These may all go into one post. It may be spread across four more posts. They may include video of myself. I’ll have to play it by ear.

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